So when the moon was out I took a look. It was pretty. Was it unbelievable? No. Did I stay up until 4 am to watch the eclipse? No. But coincidentally before bed I was reading a hilariously pathetic love scene in Gormenghast, the second book of Mervyn Peake’s trilogy, that kicks off in the “lunar vulgarity” of a garden.
“While they stood by the fishpond in which the reflection of the moon shone with a fatuous vacancy. They stared at it. Then they looked up at the original. It was no more interesting than its watery ghost, but they knew that to ignore the moon on such an evening would be an insensitive, almost a brutish thing to do.”